In The Grey Review: Fun to Watch, Easy to Forget

Promotional poster for the film 'In the Grey' featuring three main characters: two men, Jake Gyllenhaal and Henry Cavill, wearing sunglasses and casual attire, alongside a woman, Eiza González, in a stylish outfit. The poster includes the film's tagline, release date, and credits.

In the Grey might be one of the most precisely assembled ensemble action films I’ve seen in a long time but where is the line between great action and great storytelling. Director Guy Ritchie poses that question precisely with his new film starring Jake Gyllenhaal, Henry Cavill, and Eliza González.

The basic premise centers around a team of elite operatives who work in the shadows of society and business. When Salazar, a ruthless despot, steals a billion-dollar loan from a bank ridiculous enough to lend it to him, Rachel’s team is hired to take it back in a complex heist that involves a carefully planned and choreographed mix of legal maneuvering, intimidation, hacking, strategy, and brute force.

The Nuts & Bolts of a Complex Plan

In The Grey sets up what is essentially a fascinating long-form procedural detailing every step of the mission and seeing how this team plans and prepares for every scenario to near mechanical perfection. It’s a bit exhausting in its precision, but the occasional humor does lighten the mood. You can feel Guy Ritchie’s fingerprints on every scene, every discussion, and every twist and turn that the story takes. We get a solid setup for the problem and the increasingly complex confrontations that build momentum through careful timing and rhythm. Scenes snap together cleanly and information flows quickly. The film is in constant motion, never taking a break to let you catch your breath. Even when characters are standing around discussing logistics, there is still an underlying sense of propulsion carrying the story forward.

The cinematography is slick without becoming distracting. The pacing rarely drags and the action scenes are cleanly staged and easy to follow. If anything, the pacing is too fast, zipping from moment to moment, never allowing for the payoff to settle and for the characters to experience the moments after a high energy sequence ends. The operational details are handled with so much confidence that the movie convincingly creates the illusion that every contingency has already been considered before it happens. This team literally has Plan A through Z in their playbook.

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Guy Ritchie is Playing a Dangerous Game

In many ways, In the Grey feels like watching a perfectly calibrated machine operate exactly as intended. Unfortunately, that same precision is also what slowly drains the tension out of the movie. The strange thing about In the Grey is that the better these characters become at their jobs, the less suspense there actually is in the film. Everything unfolds so smoothly and so efficiently that I am never worried about any of the lead characters because I never believed they were in danger. Sure, there were exciting and explosive chase scenes, but I never believed that Guy Ritchie would sacrifice them to the story. Even when complications emerge, the movie already feels several steps ahead of itself, which means the audience rarely experiences uncertainty alongside the characters. That is a dangerous choice for Guy Ritchie to make.

The Actors vs The Characters

I seriously enjoyed watching the actors perform. Jake, Henry, and Eliza were great together and they were all easy on the eyes. You could tell how easy they were with each other and their roles. They looked their parts and were all cool as cucumbers in the shade. There was so much about this film that I liked, but there was never a point at which I saw the characters emerge on screen instead of the actors, which is bizarre given that these three A-listers can absolutely act. So, I can only chalk this up to a directorial choice. Again, that’s another dangerous choice for the film because it basically tells me that the characters were less important to the film than the actors and that has a direct impact on the story.

Other than their character names – Rachel, Sid, and Bronco – we literally know nothing about them. There are some surface-level traits and interests as well as a few light comedic moments, but we never really get enough insight into who these people are outside the mission. We do not learn what drives them. None of them have fears, insecurities, histories, or relationships beyond professional loyalty to one another.

Two men standing on a balcony overlooking the ocean, one wearing sunglasses and a casual outfit, while the other is dressed in a light shirt and trousers.

Recommendation & Final Thoughts

On one hand, I genuinely enjoyed watching this film because I think Guy Ritchie is incredibly talented in how he crafts his films. The action sequences are exciting, and the pacing keeps you entertained from start to finish, but is it really ticket-worthy?

While I really did enjoy watching In the Grey, after I left the theater, it was a fairly forgettable film, and I could feel it already slipping away from my mind. So, I sat in the parking lot to finish writing my notes on the film and the final opinion that I landed on was, “It’s fun, but there is no ‘there’ there.” I am not entirely comfortable recommending this film, especially if you are paying full price because I just don’t think there is enough story in this film to satisfy most people beyond some slick action scenes.

If you are okay with that and just want to let your brain relax and watch some highly watchable actors on screen doing exciting things, I think you will enjoy this film. If that’s not your kind of film or if you need more context and depth to your characters, you might just wait for this one on streaming.

For me, In the Grey lands somewhere in that solid B to B- range. It was good enough to enjoy in the theater, but not strong enough to stay with me afterward.

All right, that’s it from me. Have you seen this one? If so, what did you think of In The Grey? Let me know in the comments or tell me which heist film is your favorite!

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About Erin Underwood

BIO: Erin Underwood is the senior event content producer for MIT Technology Review’s emerging technology events. On the side, she reads, writes, and edits SF. Erin also reviews movies, TV series, and books on YouTube.
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