Author Archives: Erin Underwood

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About Erin Underwood

BIO: Erin Underwood is the senior event content producer for MIT Technology Review’s emerging technology events. On the side, she reads, writes, and edits SF. Erin also reviews movies, TV series, and books on YouTube.

Mortal Kombat II Review: Why This Movie Actually Works

Mortal Kombat II finally feels like the games fans remember. By combining strong storytelling with high-energy fights, practical effects, and crowd-pleasing fan service, the film delivers an action experience that understands why this franchise connected with audiences in the first place. Continue reading →

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The Sheep Detectives Review: A Surprisingly Delightful Movie

The Sheep Detectives sounds like a joke—but it works. What starts as a simple mystery about a flock of sheep quickly becomes something far more charming, thoughtful, and emotionally engaging than expected. It’s a rare family film that respects its audience while delivering genuine warmth, humor, and surprising depth. Continue reading →

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Hokum Movie Review – An Exploration of Guilt, Folklore, and Reality

A remote Irish hotel, a story about a witch, and a man who cannot escape his past. Hokum builds a quiet tension between folklore and memory that lingers long after the story ends. Continue reading →

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The Devil Wear Prada 2 Review — Is This Miranda’s Story?

This sequel surprised me in ways I didn’t expect. Here’s why The Devil Wears Prada 2 works as a continuation of the story, where it falls short, and why the film feels more relevant today than it has any right to be. Continue reading →

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Nosferatu (2024) Review: A Beautiful Film That Doesn’t Always Work

Nosferatu is hauntingly beautiful, but it doesn’t always land. Yet, the film’s artistry is undeniable. So, is this a flawed success, or a missed opportunity? Continue reading →

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The Christophers Review: A Story About Art, Legacy, and What We Leave Behind

The Christophers is a quiet, deeply human film about art, legacy, and the truths we avoid. Anchored by Ian McKellen’s reflective performance, it explores what we leave behind and what we carry with us. This is a film that reveals itself slowly—and lingers long after it ends. Continue reading →

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Michael (2025) Movie Review: It’s Not About His Life, It’s About His Escape

Michael (2025) takes a different approach to the biopic, focusing on his rise rather than his full life. This review explores how the film handles control, authorship, and performance, and why its portrayal of the audience experience may be its most powerful and overlooked achievement. Continue reading →

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Exit 8, Movie Review – A Liminal Horror About Choice, Isolation, and Responsibility

Exit 8 traps you in a looping subway where every choice matters. It becomes a test of isolation, responsibility, and who you choose to become. Continue reading →

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You, Me, & Tuscany Review – Is This What We’ve Been Missing?

A romcom that remembers what love is supposed to feel like. You, Me, & Tuscany explores connection, chemistry, and the joy of being truly seen. Continue reading →

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They Will Kill You Movie Review – A Dark and Divine Comedy?

How do you justify tying your survival, health, and prosperity directly to someone else’s sacrifice?

That question sits at the center of the new film They Will Kill You, starring Zazie Beetz. It’s a blunt question the film asks with a wink, but don’t be deceived. It is not interested in letting you off the hook. It wants an answer. Continue reading →

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